Oil on canvas painted by Edward Hopper in 1928.
"From Williamsburg Bridge is a city scene without noise or motion. The light on the buildings is bright and steady, and the only person visible is a woman sitting in profile in a top-floor window. In the visible sections of four ordinary apartment buildings, Hopper establishes a combination of subtle rhythms and repetitions. The windows themselves are rectangles within the rectangles, punched into the facades in orderly rows. Their window shades, raised and lowered at various heights, create subtle variation within the gridlike framework. The profile of the buildings' cornices and a pair of chimneys is sharply defined against a clear sky. This overall play of horizontal and vertical forms is broken only by the angles of two fire escapes and by the unobtrusive railing of the ramp to the bridge, rising at a slight diagonal along the bottom of the canvas. The broad format of this painting implies the continuation of the scene beyond the limits of the canvas: we can imagine the street, the girders of the nearby bridge, and perhaps other, identical brownstone buildings with solitary tenants lost in reverie."
Source: The MET